Did a Black College Discriminate Against Its First White Coach?

About.com: Race Relations
Nadra Kareem

May 31, 2010


In 2007, Savannah State University made history when it hired Robby Wells--the school's first white football coach. But after leading the Savannah State Tigers for two years, Wells resigned early this year. He now says that the Georgia-based historically black college gave him the choice of resigning voluntarily or being fired. According to a federal lawsuit filed by the former coach, school officials not only took issue with his race but with the fact that he's engaged to a black woman.

VH1's What Chilli Wants: Rozonda Chooses....

And the winner is...


Rozonda! The show is picked up for Season 2.

Booo....

Has this been one of the most awkward finales ever? Why didn't the producers have the men stand in front of Rozonda butt naked, wearing bow ties holding flowers? Now that's a finale!

Two thumbs up for two white dudes making the cut. Two thumbs down (and a toe) for this weak azz finale.

That is all.

Mosey on over to VH1 to recap the whole season...

Suzan Lori Parks Gets Animated

Suzan Lori Parks is an African American playwright and screenwriter. She received the MacArthur Foundation "Genius" Grant in 2001, and the 2002 Pulitzer Prize for Drama for her play, Topdog/Underdog.

Parks' first screenplay was for Spike Lees's 1996 film, Girl 6. She later worked in conjunction with Oprah Winfrey's Harpo Productions on screenplays for Their Eyes Were Watching God (2005) and the 2007 film, The Great Debaters. Parks' plays include Imperceptible Mutabilities in the Third Kingdom, The Death of the Last Black Man in the Whole Entire World, In The Blood and Fucking A.


Suzan is married to blues musician Paul Oscher

Check out the video at Nick Jr!

Wonder Why Black Women "Settling" Is Often Lauded In The BC? Blame Billy D & Miss Ross

That's right I said it. The "nothing but a black man" mantra was started by no other than Billy D "Colt 45 Williams and diva-extraordinaire Diane Ross- better known as Diana in front of company 'n all.

For those of you older than cable, you know exactly what I'm tombout. I'm referring to the 1975 Black American Classic Mahogany. For those of you not in the know, Mahogany is to black folks as A Star is Born is to white folks. The similarities are uncanny. Kris Kristofferson forsakes his career for the love of Babs while Diana Ross forsakes her career for the love of Sweet Billy D. Ironic ain't it? Of course there are a few distinctions among these two classics. For example, during the first 6 1/2 minutes of the film Diana is chased by a drugged-out sex predator. But I digress.

Instead of writing a double-spaced thesis on a 2 hour film, I've decided to make my 9th grade English teacher proud (shout out to me and Diana's Alma mater) by presenting you with the CliffsNotes version of the movie:

Tracy Chambers played by Diana Ross, dreams of leaving the slums of Chicago as a Fashion Designer. However her boyfriend, Brian Walker, played by Billy D Williams, dreams of making it big right there in the slums by running for Alderman. They quickly fall in love in spite of not sharing an onscreen love scene. Sounds beautiful right? Except that there are several underlying themes that would make Ms Perry throw a mean side-eye. For instance the scene where Tracy bails Brian out of jail by writing a bad check. True, she instigates the fight which landed him there, but why do we not see Brian actually working? We witness Tracy putting up with her racist boss at the high-end department store where she works. We even watch her struggling to spread her creative wings as she attends night school. The only thing we see Brian doing is waving a bullhorn and beaten up white construction workers.

Once Brian finds out just how passionate Tracy truly is, he quickly displays his insecurities. See Exhibit A. Clearly he thinks that Tracy is getting above her raisin' right at the 6:36 mark. Now-a-days, Brian's bitchazzness certainly qualifies him as a playa-hater (or hater for short). But since it's 1975 his 'tude places him in the running for the Jive Turkey category.

Exhibit A

Next up are the "this is what happens when you get romantically involved with whitey" scenarios. Tracy gets a big boost in her career by noted photographer Sean McEvoy played by Anthony Perkins. Due to his famed reputation and great connections, he's able to fly her to Rome where she's an instant success. Later on Tracy feels obligated to "pay him back". This is around the same time we realize he's impotent. What's even worst, Sean turns out to be a psychotic sociopath and ends up killing himself while trying to kill her. What better way to keep black women from white men than to have Norman Bates play love interest to Ms Ross.

I guess the director didn't think we understood him the first time. So he sends in white man #2 in the form of Count Christian Rosetti, played by Jean Pierre Aumont. Basically Count Rosetti comes in and dusts Tracy off, lifts her up and assists her in furthering her career. Christian obviously has more money than God (he's a count for Christ sakes) and makes no secret how he feels about her. But once again she's not feeling the whiskey-bravo. Looka here, Rosetti is a little long in the tooth but um...I'll smash Count Chocula if the money is right.

Amazingly enough, Tracy continues to pine over "Colt 45" which by now has turned quite sickening. The man belittles her career choices and continues to remind Tracy that she's nothing without him. Now keep in mind dude ain't held down a regla 9 to 5 since the opening credits. Furthermore he has failed to suggest forsaking his "profession" let alone moving to a better part of Chicago George & Weezy style. Well I guess I don't have to tell you how it all ends. Tracy gives up fame, fortune and a castle to live in squalor with a self-centered man with no job and a bad fro. Damn who's responsible for this crap?

Oh yeah now I remember...Berry Gordy. That splains it.

I'm Out!